{"version":"1.0","provider_name":"Generazione Critica","provider_url":"https:\/\/www.generazionecritica.it\/en\/","author_name":"GC","author_url":"https:\/\/www.generazionecritica.it\/en\/author\/marcella\/","title":"Eva Papamargariti - Generazione Critica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FpnKJs4wQE\"><a href=\"https:\/\/www.generazionecritica.it\/en\/interviews\/eva-papamargariti\/\">Eva Papamargariti<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.generazionecritica.it\/en\/interviews\/eva-papamargariti\/embed\/#?secret=FpnKJs4wQE\" width=\"600\" height=\"338\" title=\"&#8220;Eva Papamargariti&#8221; &#8212; Generazione Critica\" data-secret=\"FpnKJs4wQE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.generazionecritica.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2021\/01\/EVA-prof.jpeg","thumbnail_width":1400,"thumbnail_height":935,"description":"Metronom: Factitious Imprints (2016) is an exploration of different scenarios where the human trace is visible through waste, technological leftovers and structural interventions on the soil. What is your idea of Eden, theme of this edition of the Digital Video Wall project? Eva Papamargariti: In the core of Factitious Imprints lies the idea of a [&hellip;]"}