{"version":"1.0","provider_name":"Generazione Critica","provider_url":"https:\/\/www.generazionecritica.it\/en\/","author_name":"GC","author_url":"https:\/\/www.generazionecritica.it\/en\/author\/marcella\/","title":"Academies of Fine Arts: education and perspectives - Generazione Critica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"5eDUdy2Km3\"><a href=\"https:\/\/www.generazionecritica.it\/en\/news-en\/academies-of-fine-arts-education-and-perspectives\/\">Academies of Fine Arts: education and perspectives<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.generazionecritica.it\/en\/news-en\/academies-of-fine-arts-education-and-perspectives\/embed\/#?secret=5eDUdy2Km3\" width=\"600\" height=\"338\" title=\"&#8220;Academies of Fine Arts: education and perspectives&#8221; &#8212; Generazione Critica\" data-secret=\"5eDUdy2Km3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.generazionecritica.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2021\/05\/Copertina.jpg","thumbnail_width":1080,"thumbnail_height":1080,"description":"The sixth\u00a0appointment of the program of\u00a0Generazione Critica #7\u00a0STILL aLIVE\u00a0will be held on\u00a025\u00a0May 2021 at 5.00 pm\u00a0and will be dedicated to Academies of Fine Arts: education and perspectives. The participants areMichele Covolan, Rita Finzi, Ilaria Gianni, Carmelo Nicosia, Jonathan Pierini. Moderator Marcella Manni. The conversation will take place on Zoom and it will be in Italian [&hellip;]"}