{"version":"1.0","provider_name":"Generazione Critica","provider_url":"https:\/\/www.generazionecritica.it\/en\/","author_name":"GC","author_url":"https:\/\/www.generazionecritica.it\/en\/author\/marcella\/","title":"AKI SASAMOTO - XYZ | PIRELLI HANGARBICOCCA, MILANO - Generazione Critica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"r1WfvVPW8O\"><a href=\"https:\/\/www.generazionecritica.it\/en\/news-en\/aki-sasamoto-xyz-pirelli-hangarbicocca-milano\/\">AKI SASAMOTO &#8211; XYZ | PIRELLI HANGARBICOCCA, MILANO<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.generazionecritica.it\/en\/news-en\/aki-sasamoto-xyz-pirelli-hangarbicocca-milano\/embed\/#?secret=r1WfvVPW8O\" width=\"600\" height=\"338\" title=\"&#8220;AKI SASAMOTO &#8211; XYZ | PIRELLI HANGARBICOCCA, MILANO&#8221; &#8212; Generazione Critica\" data-secret=\"r1WfvVPW8O\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.generazionecritica.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/Aki_Sasamoto_The_Ball-Grande.jpeg","thumbnail_width":989,"thumbnail_height":1280,"description":"XYZ\u00a0 is Japanese artist Aki Sasamoto\u2019s first institutional exhibition in Europe, curated by Roberta Tenconi with Tatiana Palenzona at Pirelli HangarBicocca in Milan. The exhibition project is multilayered, perfectly reflecting the artist\u2019s practice and poetics, which move across performance, sculpture, installation, and video. Her works are the outcome of a hybrid research process that draws [&hellip;]"}