{"version":"1.0","provider_name":"Generazione Critica","provider_url":"https:\/\/www.generazionecritica.it\/en\/","author_name":"GC","author_url":"https:\/\/www.generazionecritica.it\/en\/author\/marcella\/","title":"BOOKSHOCK | BIG - BIENNALE INTERNAZIONALE GRAFICA, MILAN - Generazione Critica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gf5IMAgtVE\"><a href=\"https:\/\/www.generazionecritica.it\/en\/news-en\/bookshock-big-biennale-internazionale-grafica-milan\/\">BOOKSHOCK | BIG &#8211; BIENNALE INTERNAZIONALE GRAFICA, MILAN<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.generazionecritica.it\/en\/news-en\/bookshock-big-biennale-internazionale-grafica-milan\/embed\/#?secret=gf5IMAgtVE\" width=\"600\" height=\"338\" title=\"&#8220;BOOKSHOCK | BIG &#8211; BIENNALE INTERNAZIONALE GRAFICA, MILAN&#8221; &#8212; Generazione Critica\" data-secret=\"gf5IMAgtVE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.generazionecritica.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/10\/06_Joanna-Design-Tyborowska-Illegibility-Grande.jpeg","thumbnail_width":1280,"thumbnail_height":853,"description":"The exhibition project BOOKSHOCK is part of the programme of the 2026 International Graphic Design Biennial in Milan, continuing the research developed by Oggetto libro, which brings together two increasingly complementary fields: design and art. Hosted at ADI Design Museum in Milan and curated by Susanna Vallebona, BOOKSHOCK explores the multifaceted and ever-evolving nature of [&hellip;]"}