{"version":"1.0","provider_name":"Generazione Critica","provider_url":"https:\/\/www.generazionecritica.it\/en\/","author_name":"GC","author_url":"https:\/\/www.generazionecritica.it\/en\/author\/marcella\/","title":"CAMBIO DELLA GUARDIA | BEKHABAATAR ENKHTUR - Generazione Critica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"M4V4zSTTu3\"><a href=\"https:\/\/www.generazionecritica.it\/en\/works-in-focus\/cambio-della-guardia-bekhabaatar-enkhtur\/\">CAMBIO DELLA GUARDIA | BEKHABAATAR ENKHTUR<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.generazionecritica.it\/en\/works-in-focus\/cambio-della-guardia-bekhabaatar-enkhtur\/embed\/#?secret=M4V4zSTTu3\" width=\"600\" height=\"338\" title=\"&#8220;CAMBIO DELLA GUARDIA | BEKHABAATAR ENKHTUR&#8221; &#8212; Generazione Critica\" data-secret=\"M4V4zSTTu3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.generazionecritica.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2022\/05\/Bekhabaatar-Enkhtur_CambiodellaGuardia_localedue_Villino-Giulia_2021.Courtesy-localedue-6-of-7-683x1024.jpg","thumbnail_width":683,"thumbnail_height":1024,"description":"Cambio della guardia (Changing of the guard) is an impermanent intervention that lived in the garden of Villa Giulia, a private residence in Bologna, in 2021. The artist Bekhabaatar Enkhtur, works with sculpture privileging the use of materials that can highlight their own fragility and transience, in search of an approach that guides the viewer&#8217;s [&hellip;]"}