{"version":"1.0","provider_name":"Generazione Critica","provider_url":"https:\/\/www.generazionecritica.it\/en\/","author_name":"GC","author_url":"https:\/\/www.generazionecritica.it\/en\/author\/marcella\/","title":"FOCUS BIENNALE: ILLEGAL SPIRITS OF S\u00c1PMI | ANDERS SUNNA - Generazione Critica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"TCGO5Ur2wP\"><a href=\"https:\/\/www.generazionecritica.it\/en\/works-in-focus\/illegal-spirits-of-sapmi-anders-sunna\/\">FOCUS BIENNALE: ILLEGAL SPIRITS OF S\u00c1PMI | ANDERS SUNNA<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.generazionecritica.it\/en\/works-in-focus\/illegal-spirits-of-sapmi-anders-sunna\/embed\/#?secret=TCGO5Ur2wP\" width=\"600\" height=\"338\" title=\"&#8220;FOCUS BIENNALE: ILLEGAL SPIRITS OF S\u00c1PMI | ANDERS SUNNA&#8221; &#8212; Generazione Critica\" data-secret=\"TCGO5Ur2wP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.generazionecritica.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2022\/08\/unnamed-1.jpg","thumbnail_width":2088,"thumbnail_height":2784,"description":"Colors and figures crowd, as in a complex game of joints, the representation of an articulated scene which, by virtue of the formal choice of installation, makes the narrative interesting and mysterious. Illegal Spirits of S\u00e1mpi (2022) is the work in which Anders Sunna brings out the complex and dramatic history of the community of [&hellip;]"}