{"id":16145,"date":"2026-09-18T14:00:59","date_gmt":"2026-09-18T12:00:59","guid":{"rendered":"https:\/\/www.generazionecritica.it\/?p=16145"},"modified":"2026-09-11T17:55:42","modified_gmt":"2026-09-11T15:55:42","slug":"canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia","status":"publish","type":"post","link":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/","title":{"rendered":"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL&#8217;OSPEDALETTO, VENEZIA"},"content":{"rendered":"<p><em>Canicula<\/em> is the final chapter of the <em>Trilogia delle Incertezze<\/em>, a series of exhibitions conceived by Fondazione In Between Art Film that transform the Complesso dell\u2019Ospedaletto into a space that raises questions and invites reflection on how we interpret the reality we experience and observe.<\/p>\n<p>Each chapter draws on a different atmospheric phenomenon, transformed into a metaphor for human existence: ambiguity and uncertainty, evoked by twilight, in <em>Penumbra<\/em>; disorientation and a sense of being lost, associated with fog, in <em>Nebula<\/em>; and a sense of oppression, expressed through blinding light and suffocating heat, in <em>Canicula<\/em>.<br \/>\nCurated by Alessandro Rabottini and Leonardo Bigazzi, the exhibition presents eight site-specific video installations that reflect on a time saturated with stimuli, excess, and visual, perceptual, and cognitive distortions. The video installations place the viewer before reality, prompting them to question themes such as control, information, the nature of the images that surround us, science, war, and the manipulation of memory, power, and truth.<\/p>\n<p>Date: from May 6 to November 22, 2026<br \/>\nMore Info: <a href=\"https:\/\/inbetweenartfilm.com\/en\/canicula\/\">Fondazione In Between Art Film<\/a><\/p>\n<p>Image: Lawrence Abu Hamdan, 450XL: <em>The Story of a Fugitive Sound<\/em> (still), 2026. Fifteen-channel video, colour and B\/W, stereo sound,19\u2019. Commissioned and produced by Fondazione In Between Art Film for the exhibition <em>Canicula<\/em>, 2026. Courtesy of the artist; Fondazione In Between Art Film; Maureen Paley, London; mor charpentier, Paris; Sfeir-Semler, Beirut.<\/p>\n<p>18\/09\/26<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Canicula is the final chapter of the Trilogia delle Incertezze, a series of exhibitions conceived by Fondazione In Between Art Film that transform the Complesso dell\u2019Ospedaletto into a space that raises questions and invites reflection on how we interpret the reality we experience and observe. Each chapter draws on a different atmospheric phenomenon, transformed into [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16143,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[209],"tags":[8015,8017,367,8016,6418,2402],"class_list":["post-16145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-canicula","tag-complesso-dellospedaletto","tag-contemporary-art","tag-fondazione-in-between-art-film","tag-venice-en","tag-video-installation"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL&#039;OSPEDALETTO, VENEZIA - Generazione Critica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL&#039;OSPEDALETTO, VENEZIA - Generazione Critica\" \/>\n<meta property=\"og:description\" content=\"Canicula is the final chapter of the Trilogia delle Incertezze, a series of exhibitions conceived by Fondazione In Between Art Film that transform the Complesso dell\u2019Ospedaletto into a space that raises questions and invites reflection on how we interpret the reality we experience and observe. Each chapter draws on a different atmospheric phenomenon, transformed into [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/\" \/>\n<meta property=\"og:site_name\" content=\"Generazione Critica\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-18T12:00:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"GC\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"GC\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/\"},\"author\":{\"name\":\"GC\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#\\\/schema\\\/person\\\/2adaefbfdbc7cee037159aa19bb82535\"},\"headline\":\"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL&#8217;OSPEDALETTO, VENEZIA\",\"datePublished\":\"2026-09-18T12:00:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/\"},\"wordCount\":231,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.generazionecritica.it\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg\",\"keywords\":[\"Canicula\",\"Complesso dell'Ospedaletto\",\"contemporary art\",\"Fondazione In Between Art Film\",\"venice\",\"Video Installation\"],\"articleSection\":[\"NEWS\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/\",\"url\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/\",\"name\":\"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL'OSPEDALETTO, VENEZIA - Generazione Critica\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.generazionecritica.it\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg\",\"datePublished\":\"2026-09-18T12:00:59+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.generazionecritica.it\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg\",\"contentUrl\":\"https:\\\/\\\/www.generazionecritica.it\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg\",\"width\":1280,\"height\":720},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL&#8217;OSPEDALETTO, VENEZIA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/\",\"name\":\"Generazione Critica\",\"description\":\"Progetto di ricerca dedicato alle pi\u00f9 recenti esperienze artistiche contemporanee\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#organization\",\"name\":\"Generazione Critica\",\"url\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.generazionecritica.it\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-GC-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.generazionecritica.it\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-GC-1.jpg\",\"width\":512,\"height\":512,\"caption\":\"Generazione Critica\"},\"image\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#\\\/schema\\\/person\\\/2adaefbfdbc7cee037159aa19bb82535\",\"name\":\"GC\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/60c2597594822df9b38c5573b1c0c242205c662c36281837697fca0bda5bbb7c?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/60c2597594822df9b38c5573b1c0c242205c662c36281837697fca0bda5bbb7c?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/60c2597594822df9b38c5573b1c0c242205c662c36281837697fca0bda5bbb7c?s=96&d=identicon&r=g\",\"caption\":\"GC\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL'OSPEDALETTO, VENEZIA - Generazione Critica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/","og_locale":"en_US","og_type":"article","og_title":"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL'OSPEDALETTO, VENEZIA - Generazione Critica","og_description":"Canicula is the final chapter of the Trilogia delle Incertezze, a series of exhibitions conceived by Fondazione In Between Art Film that transform the Complesso dell\u2019Ospedaletto into a space that raises questions and invites reflection on how we interpret the reality we experience and observe. Each chapter draws on a different atmospheric phenomenon, transformed into [&hellip;]","og_url":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/","og_site_name":"Generazione Critica","article_published_time":"2026-09-18T12:00:59+00:00","og_image":[{"width":1280,"height":720,"url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg","type":"image\/jpeg"}],"author":"GC","twitter_card":"summary_large_image","twitter_misc":{"Written by":"GC","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#article","isPartOf":{"@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/"},"author":{"name":"GC","@id":"https:\/\/www.generazionecritica.it\/en\/#\/schema\/person\/2adaefbfdbc7cee037159aa19bb82535"},"headline":"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL&#8217;OSPEDALETTO, VENEZIA","datePublished":"2026-09-18T12:00:59+00:00","mainEntityOfPage":{"@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/"},"wordCount":231,"commentCount":0,"publisher":{"@id":"https:\/\/www.generazionecritica.it\/en\/#organization"},"image":{"@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#primaryimage"},"thumbnailUrl":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg","keywords":["Canicula","Complesso dell'Ospedaletto","contemporary art","Fondazione In Between Art Film","venice","Video Installation"],"articleSection":["NEWS"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/","url":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/","name":"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL'OSPEDALETTO, VENEZIA - Generazione Critica","isPartOf":{"@id":"https:\/\/www.generazionecritica.it\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#primaryimage"},"image":{"@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#primaryimage"},"thumbnailUrl":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg","datePublished":"2026-09-18T12:00:59+00:00","breadcrumb":{"@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#primaryimage","url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg","contentUrl":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg","width":1280,"height":720},{"@type":"BreadcrumbList","@id":"https:\/\/www.generazionecritica.it\/en\/news-en\/canicula-fondazione-in-between-art-film-complesso-dellospedaletto-venezia\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.generazionecritica.it\/en\/"},{"@type":"ListItem","position":2,"name":"CANICULA | FONDAZIONE IN BETWEEN ART FILM, COMPLESSO DELL&#8217;OSPEDALETTO, VENEZIA"}]},{"@type":"WebSite","@id":"https:\/\/www.generazionecritica.it\/en\/#website","url":"https:\/\/www.generazionecritica.it\/en\/","name":"Generazione Critica","description":"Progetto di ricerca dedicato alle pi\u00f9 recenti esperienze artistiche contemporanee","publisher":{"@id":"https:\/\/www.generazionecritica.it\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.generazionecritica.it\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.generazionecritica.it\/en\/#organization","name":"Generazione Critica","url":"https:\/\/www.generazionecritica.it\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.generazionecritica.it\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2024\/01\/cropped-GC-1.jpg","contentUrl":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2024\/01\/cropped-GC-1.jpg","width":512,"height":512,"caption":"Generazione Critica"},"image":{"@id":"https:\/\/www.generazionecritica.it\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.generazionecritica.it\/en\/#\/schema\/person\/2adaefbfdbc7cee037159aa19bb82535","name":"GC","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/60c2597594822df9b38c5573b1c0c242205c662c36281837697fca0bda5bbb7c?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/60c2597594822df9b38c5573b1c0c242205c662c36281837697fca0bda5bbb7c?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/60c2597594822df9b38c5573b1c0c242205c662c36281837697fca0bda5bbb7c?s=96&d=identicon&r=g","caption":"GC"}}]}},"jetpack_shortlink":"https:\/\/wp.me\/p3GfTA-4cp","jetpack_featured_media_url":"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/09\/5_Lawrence-Abu-Hamdan-4-Grande.jpeg","_links":{"self":[{"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/posts\/16145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/comments?post=16145"}],"version-history":[{"count":1,"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/posts\/16145\/revisions"}],"predecessor-version":[{"id":16146,"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/posts\/16145\/revisions\/16146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/media\/16143"}],"wp:attachment":[{"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/media?parent=16145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/categories?post=16145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.generazionecritica.it\/en\/wp-json\/wp\/v2\/tags?post=16145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}