{"id":16206,"date":"2026-10-06T14:00:22","date_gmt":"2026-10-06T12:00:22","guid":{"rendered":"https:\/\/www.generazionecritica.it\/?p=16206"},"modified":"2026-10-01T15:17:53","modified_gmt":"2026-10-01T13:17:53","slug":"luigi-iango-corpi-speciali-gnamc-roma","status":"publish","type":"post","link":"https:\/\/www.generazionecritica.it\/en\/news-en\/luigi-iango-corpi-speciali-gnamc-roma\/","title":{"rendered":"LUIGI &#038; IANGO, CORPI SPECIALI | GNAMC, ROMA"},"content":{"rendered":"<p>The exhibition <em>Corpi speciali<\/em>, curated by Francesca Alfano Miglietti and presented at the Galleria Nazionale d\u2019Arte Moderna e Contemporanea, places the body at its centre, moving beyond a purely object-based representation and restoring its potential as a tool through which to interpret the contemporary world.<\/p>\n<p>The bodies portrayed in the exhibition are seen, interpreted, and observed through the lens of Luigi &amp; Iango (Luigi Murenu and Iango Henzi), the artistic duo whose practice brings together photography, fashion, and contemporary art.<br \/>\nIn the artists\u2019 photographs, the body is never merely a body; instead, it becomes a space through which individuals can continuously create, dismantle, and reconstruct their own identities.<br \/>\nLuigi &amp; Iango compose images in which rigorous construction coexists with theatricality, ambiguity, and vulnerability. Their photographs are marked by a constant tension between monumentality and fragility, recognisable symbols and the deconstruction of stereotypes, light and shadow, attraction and questioning.<br \/>\nIn <em>Corpi speciali<\/em>, through previously unseen images alongside iconic works by the artists, the portrait\u2014an iconographic subject that has always been present throughout the history of art\u2014emerges as a space in which we can perceive both what we choose to show and what we choose to keep hidden.<\/p>\n<p>Date: from October 13 to November 29, 2026<br \/>\nMore Info: <a href=\"https:\/\/gnamc.cultura.gov.it\/en\/event\/luigi-iango-corpi-speciali\/\">GNAMC<\/a><\/p>\n<p>Image: Ritratto di Luigi&amp;Iango<br \/>\n\u00a9 Luigi &amp; Iango | Courtesy the artists<\/p>\n<p>06\/10\/26<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition Corpi speciali, curated by Francesca Alfano Miglietti and presented at the Galleria Nazionale d\u2019Arte Moderna e Contemporanea, places the body at its centre, moving beyond a purely object-based representation and restoring its potential as a tool through which to interpret the contemporary world. The bodies portrayed in the exhibition are seen, interpreted, and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16207,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[209],"tags":[367,8080,8081,8079,227,649],"class_list":["post-16206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-contemporary-art","tag-corpi-speciali","tag-gnamc","tag-luigi-iango","tag-photography-en","tag-rome"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LUIGI &amp; IANGO, CORPI SPECIALI | GNAMC, ROMA - Generazione Critica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.generazionecritica.it\/en\/news-en\/luigi-iango-corpi-speciali-gnamc-roma\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LUIGI &amp; IANGO, CORPI SPECIALI | GNAMC, ROMA - Generazione Critica\" \/>\n<meta property=\"og:description\" content=\"The exhibition Corpi speciali, curated by Francesca Alfano Miglietti and presented at the Galleria Nazionale d\u2019Arte Moderna e Contemporanea, places the body at its centre, moving beyond a purely object-based representation and restoring its potential as a tool through which to interpret the contemporary world. 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