{"id":16251,"date":"2026-10-20T14:00:05","date_gmt":"2026-10-20T12:00:05","guid":{"rendered":"https:\/\/www.generazionecritica.it\/?p=16251"},"modified":"2026-10-20T14:40:04","modified_gmt":"2026-10-20T12:40:04","slug":"nino-migliori-la-dialettica-del-reale-centro-sain-benin-aosta","status":"publish","type":"post","link":"https:\/\/www.generazionecritica.it\/en\/news-en\/nino-migliori-la-dialettica-del-reale-centro-sain-benin-aosta\/","title":{"rendered":"NINO MIGLIORI. LA DIALETTICA DEL REALE | CENTRO SAIN-B\u00c9NIN, AOSTA"},"content":{"rendered":"<p>On the occasion of Nino Migliori\u2019s centenary, a retrospective at the Centro Saint-B\u00e9nin in Aosta brings together 160 images to explore the artist\u2019s extensive body of work.<\/p>\n<p><em>Nino Migliori. La dialettica del Reale<\/em>, curated by Mauro Zanchi, presents some of the most iconic series produced by the artist in the 1950s, tracing their evolution through to the present day. His photography has borne witness to the profound contradictions of post-war Italy, developing a visual grammar capable of transforming reportage \u2014 what is seen \u2014 into an investigation of existence \u2014 what it means.<br \/>\nThe exhibition unfolds across four sections that trace Migliori\u2019s gaze over time: <em>Emilia<\/em>, <em>Gente del Sud<\/em>, <em>Gente del Delta<\/em> and <em>Gente del Nord<\/em>. Each section reveals the artist\u2019s sensitivity in his approach to what he portrays, as his photography is not simply documentation, but narration. At the heart of the images is humanity in all its complexity, expressed through everyday rituals, emotions and urban gestures.<br \/>\nThe exhibition also highlights Migliori\u2019s increasingly autonomous exploration of the photographic language over the course of his career, which he has developed through both urban and landscape photography.<\/p>\n<p>Dates: 10 October 2026 \u2013 7 March 2027<br \/>\nMore information: <a href=\"https:\/\/www.regione.vda.it\/cultura\/mostre_musei\/musei\/saint_benin\/archivio_2026\/migliori_i.aspx\">Centro Saint-B\u00e9nin<\/a><\/p>\n<p>Image: Nino Migliori, \u201cGente dell&#8217;Emilia\u201d, anni cinquanta<br \/>\n\u00a9 Fondazione Nino Migliori<\/p>\n<p>20\/10\/26<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the occasion of Nino Migliori\u2019s centenary, a retrospective at the Centro Saint-B\u00e9nin in Aosta brings together 160 images to explore the artist\u2019s extensive body of work. Nino Migliori. La dialettica del Reale, curated by Mauro Zanchi, presents some of the most iconic series produced by the artist in the 1950s, tracing their evolution through [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16248,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[209],"tags":[8118,8121,367,8119,227,8120],"class_list":["post-16251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-aosta","tag-centro-saint-benin","tag-contemporary-art","tag-nino-migliori","tag-photography-en","tag-gente-dellemilia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NINO MIGLIORI. 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La dialettica del Reale, curated by Mauro Zanchi, presents some of the most iconic series produced by the artist in the 1950s, tracing their evolution through [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.generazionecritica.it\/en\/news-en\/nino-migliori-la-dialettica-del-reale-centro-sain-benin-aosta\/\" \/>\n<meta property=\"og:site_name\" content=\"Generazione Critica\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-20T12:00:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-20T12:40:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.generazionecritica.it\/wp-content\/uploads\/2026\/10\/Nino-Migliori_2-Grande.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1025\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"GC\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"GC\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/nino-migliori-la-dialettica-del-reale-centro-sain-benin-aosta\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/news-en\\\/nino-migliori-la-dialettica-del-reale-centro-sain-benin-aosta\\\/\"},\"author\":{\"name\":\"GC\",\"@id\":\"https:\\\/\\\/www.generazionecritica.it\\\/en\\\/#\\\/schema\\\/person\\\/2adaefbfdbc7cee037159aa19bb82535\"},\"headline\":\"NINO MIGLIORI. 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