{"id":2197,"date":"2017-03-15T09:50:55","date_gmt":"2017-03-15T08:50:55","guid":{"rendered":"https:\/\/www.generazionecritica.it\/GC\/en\/?p=2197"},"modified":"2017-03-15T09:56:27","modified_gmt":"2017-03-15T08:56:27","slug":"lampedusa-o-dellesteso-deserto-massimiliano-gatti","status":"publish","type":"post","link":"https:\/\/www.generazionecritica.it\/en\/works-in-focus\/lampedusa-o-dellesteso-deserto-massimiliano-gatti\/","title":{"rendered":"Lampedusa (o dell&#8217;esteso deserto), Massimiliano Gatti"},"content":{"rendered":"<p>The title of Massimiliano Gatti&#8217;s\u00a0project was inspired by a recurrent expression in Pier Paolo Pasolini writings: in the essays\u00a0<em>I nomi o il grido della rana<\/em>\u00a0or in\u00a0<em>Se la pittura odierna potesse stimarsi di un genere poetico,\u00a0<\/em>the analogy between the dry and infertile desertic landscape and the existential human condition, often appears\u00a0. Compared to the infinite shades of the human soul, the material existence reminds an open and wild desert the human being is sentenced\u00a0to traverse in a complete loneliness. In this body of work, the desert become symbol of the voyage made by the migrants, dominated by the distress for an uncertain future. The sense of wait and suspension is given by the accurate representation of the whole amount objects lost by the migrants during the docking phase, than collected by Askavusa association on the Lampedusa&#8217;s beaches: radios, plastic bottles, fabric, pieces of cloth, tape cassettes are portrayed on a white base, in an interstate land in which any\u00a0diverse elements is suspended and submerge. <em>Lampedusa (o dell&#8217;esteso deserto)\u00a0<\/em>drives the focus from the indefinite mass of person to a single subject, connecting the reflection to a more intimate and personal dimension.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Sara Ferrari<\/p>\n<p><a href=\"http:\/\/www.massimilianogatti.com\/\">Massimiliano Gatti<\/a>,\u00a0<em>Lampedusa o dell&#8217;esteso deserto<\/em>, 2013.<\/p>\n<p>@Massimiliano Gatti 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The title of Massimiliano Gatti&#8217;s\u00a0project was inspired by a recurrent expression in Pier Paolo Pasolini writings: in the essays\u00a0I nomi o il grido della rana\u00a0or in\u00a0Se la pittura odierna potesse stimarsi di un genere poetico,\u00a0the analogy between the dry and infertile desertic landscape and the existential human condition, often appears\u00a0. Compared to the infinite shades [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2189,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[210],"tags":[723,218,715,714,250,722,721,319],"class_list":["post-2197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-works-in-focus","tag-askavusa-association","tag-generazione-critica-2-en","tag-lampedusa","tag-massimiliano-gatti","tag-metronom-en","tag-migranti","tag-migrants","tag-modena-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lampedusa (o dell&#039;esteso deserto), Massimiliano Gatti - Generazione Critica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.generazionecritica.it\/en\/works-in-focus\/lampedusa-o-dellesteso-deserto-massimiliano-gatti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lampedusa (o dell&#039;esteso deserto), Massimiliano Gatti - Generazione Critica\" \/>\n<meta property=\"og:description\" content=\"The title of Massimiliano Gatti&#8217;s\u00a0project was inspired by a recurrent expression in Pier Paolo Pasolini writings: in the essays\u00a0I nomi o il grido della rana\u00a0or in\u00a0Se la pittura odierna potesse stimarsi di un genere poetico,\u00a0the analogy between the dry and infertile desertic landscape and the existential human condition, often appears\u00a0. 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