{"id":2811,"date":"2018-01-03T16:10:41","date_gmt":"2018-01-03T15:10:41","guid":{"rendered":"https:\/\/www.generazionecritica.it\/GC\/en\/?p=2811"},"modified":"2018-01-03T16:11:54","modified_gmt":"2018-01-03T15:11:54","slug":"olivo-barbieri-on-china-heritage","status":"publish","type":"post","link":"https:\/\/www.generazionecritica.it\/en\/news-en\/olivo-barbieri-on-china-heritage\/","title":{"rendered":"Olivo Barbieri on China Heritage"},"content":{"rendered":"<p>On the newest issue of<a href=\"http:\/\/chinaheritage.net\/journal\/a-barbieri-in-china\/\">\u00a0China Heritage<\/a>, released on 1 January 2018, is featured a wide essay by Italian photographer <a href=\"http:\/\/www.metronom.it\/eng\/artisti.php\/id_cat=25\">Olivo Barbieri\u00a0<\/a>, introducing his nearing thirty years of activities, studies and voyages to China.<\/p>\n<p><em>In the late Eighties, China seemed to me to be as distant and incomprehensible as a some far-flung galaxy. My only points of literary reference were Dear China by Goffredo Parise and Henri Michaux\u2019s A Barbarian in Asia. Upon returning to Italy I produced Notes from a Trip to China (Appunti di viaggio in Cina) with a small publishing house. It consisted of three parts: daytime exteriors, interiors and nocturnal exteriors. The images were paired with aphorisms, words that described the pictures I couldn\u2019t take or impressions and thoughts about what was happening around me.\u00a0<\/em>(Excerpt from the essay)<\/p>\n<p>Read the complete essay <a href=\"http:\/\/chinaheritage.net\/journal\/a-barbieri-in-china\/\">here<\/a>.<\/p>\n<p>Cover image:\u00a0<em>Macao, China<\/em>, 2010. From the series \u2018<em>Real Worlds<\/em>\u2019. Copyright Olivo Barbieri<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the newest issue of\u00a0China Heritage, released on 1 January 2018, is featured a wide essay by Italian photographer Olivo Barbieri\u00a0, introducing his nearing thirty years of activities, studies and voyages to China. In the late Eighties, China seemed to me to be as distant and incomprehensible as a some far-flung galaxy. My only points [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2812,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[209],"tags":[887,886,885,884],"class_list":["post-2811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-andrea-cavazzuti","tag-china","tag-china-heritage","tag-olivo-barbiera"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Olivo Barbieri on China Heritage - Generazione Critica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.generazionecritica.it\/en\/news-en\/olivo-barbieri-on-china-heritage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Olivo Barbieri on China Heritage - Generazione Critica\" \/>\n<meta property=\"og:description\" content=\"On the newest issue of\u00a0China Heritage, released on 1 January 2018, is featured a wide essay by Italian photographer Olivo Barbieri\u00a0, introducing his nearing thirty years of activities, studies and voyages to China. In the late Eighties, China seemed to me to be as distant and incomprehensible as a some far-flung galaxy. 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