{"id":6232,"date":"2021-07-02T09:44:59","date_gmt":"2021-07-02T07:44:59","guid":{"rendered":"https:\/\/www.generazionecritica.it\/GC\/en\/?p=6232"},"modified":"2021-07-02T09:44:59","modified_gmt":"2021-07-02T07:44:59","slug":"zeus-machine-linvincibile-zapruder-filmmakersgroup","status":"publish","type":"post","link":"https:\/\/www.generazionecritica.it\/en\/works-in-focus\/zeus-machine-linvincibile-zapruder-filmmakersgroup\/","title":{"rendered":"Zeus machine. L\u2019invincibile | Zapruder Filmmakersgroup"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The video <\/span><i><span style=\"font-weight: 400;\">Zeus Machine. L\u2019invincibile<\/span><\/i><span style=\"font-weight: 400;\"> (2019) by Zapruder Filmmakersgroup, a collective composed by Monaldo Moretti, David Zamagni and Nadia Ranocchi, revisits the twelve labours of Hercules from a modern perspective. The mythological hero \u2013 embodied each time by a different character \u2013 finds himself immersed in key places in the contemporary urban landscape \u2013 such as gasoline stations and sports arenas \u2013 thus becoming a machine that expands and restricts the perception of duration, and plays with the idea of space and the way it is inhabited.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The power traditionally attributed to Hercules is unleashed through his relationship with modern machines, in a continuous reference to pop culture that has nourished the myth also through the various movies based on his story \u2013 one of which, <\/span><i><span style=\"font-weight: 400;\">Ben-Hur<\/span><\/i><span style=\"font-weight: 400;\"> (1959) is filmed in the Cinecitt\u00e0 studios.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Zeus Machine. L\u2019invincibile<\/span><\/i><span style=\"font-weight: 400;\"> invites the spectator to relate to the narratives that nourish mythologies, providing a new and revisited key to pass it on to a post-modern society. It also invites us to rethink the relationships that bind us to the contexts in which we live, to every place we visit, starting from the analysis of specific beliefs, all of which can be traced back to the concept of invincibility.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Zapruder Filmmakersgroup, Zeus machine manifesto, 2019<br \/>\nstill<br \/>\nvideo 2k, audio 5+1, 74&#8242;<br \/>\nph: Courtesy\u00a0Zapruder Filmmakersgroup<\/p>\n<p><em>Zeus Machine. L&#8217;invincibile\u00a0<\/em>is part of\u00a0<em>Quadriennale d&#8217;arte 2020. Fuori<\/em><br \/>\ncurated by\u00a0Sarah Cosulich and\u00a0Stefano Collicelli Cagol<br \/>\n30 October\u00a02020 &#8211; 18 July\u00a02021<\/p>\n<p>02\/07\/2021<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The video Zeus Machine. L\u2019invincibile (2019) by Zapruder Filmmakersgroup, a collective composed by Monaldo Moretti, David Zamagni and Nadia Ranocchi, revisits the twelve labours of Hercules from a modern perspective. The mythological hero \u2013 embodied each time by a different character \u2013 finds himself immersed in key places in the contemporary urban landscape \u2013 such [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6233,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[210],"tags":[211,1978,1977,367,1563,218,1743,226,1975,1971,1976,623,425,1973,1974],"class_list":["post-6232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-works-in-focus","tag-arte-contemporanea-en","tag-cagol","tag-collicelli","tag-contemporary-art","tag-digital-video-art","tag-generazione-critica-2-en","tag-la-quadriennale","tag-opera-al-centro-2-en","tag-quadriennale-darte-2020","tag-sarah-cosulich","tag-stefano","tag-video-en","tag-work-in-focus-en","tag-zapruder","tag-zeus-machine"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zeus machine. 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